My artistic practice spans immersive installations, prints, sculptures, and performative works exploring world-building. My approach is fundamentally systematic, where every element serves a precise conceptual purpose.
I use 3D scanning tools such as LiDAR and photogrammetry literally as embodied technology, as extensions of my Black diasporic self. The resulting data is shaped by my movements and choices, transforming imperial tools into memoryscapes — fragmented, speculative environments where past, present, and future coexist.
The works provide an aesthetic and poetic space for multiplicity in a world obsessed with resolution. I aim to transform how we relate to technology, history and each other.
I use 3D scanning tools such as LiDAR and photogrammetry literally as embodied technology, as extensions of my Black diasporic self. The resulting data is shaped by my movements and choices, transforming imperial tools into memoryscapes — fragmented, speculative environments where past, present, and future coexist.
The works provide an aesthetic and poetic space for multiplicity in a world obsessed with resolution. I aim to transform how we relate to technology, history and each other.