I transform imperial technologies into tools for relational world-making. My practice spans immersive installations, prints, sculptures, and performative works that construct new frameworks for understanding diaspora, futurity, and belonging.
Using embodied practices as extensions of my diasporic body, I create fragmented memory-scapes where past, present, and future coexist.
These works create tactile encounters with digital data, becoming spaces for multiplicity in a world obsessed with resolution. Through this practice, I (re)imagine technology from a tool of alienation into a space for practicing futures.